Having this seamless workflow helps both us and our clients to be more efficient, without sacrificing creativity.
SIMON RAY, HEAD OF ENGINEERING, GOLDCREST POST
Having this seamless workflow helps both us and our clients to be more efficient, without sacrificing creativity.
SIMON RAY, HEAD OF ENGINEERING, GOLDCREST POST
What’s more important is to learn how to mix with the software, not how to use a mixing controller. So it really contradicts the whole point of having a controller if it takes too much time learning how to use it. Everything has to be right there, intuitively accessible. I think that is what Pro Tools | S6 is all about.
SUNG CHEOL LIM, PROFESSOR AT WOOSONG COLLEGE
When I used the S6, I just knew it was going to do the job for us. And it’s been worth the wait—I really like the ease of operation, and the desks are very ergonomically fluid.
JOHNNIE BURN, WAVE STUDIOS OWNER & CO-FOUNDER
Embracing Avid Everywhere has brought us closer to the way audio production should be taught, and created a new culture in the school by allowing students to focus on their listening.
ARI OUTILA, PROFESSOR, STADIN AMMATTIOPISTO
I was initially nervous about committing to such a short timeline using new equipment, but the Avid gear performed wonderfully.
JAMES MATHER, SUPERVISING SOUND EDITOR
Avid is the industry standard for a reason—it’s the best! Media Composer does everything I need it to, and more. I can view material, string different pieces together, and envision a scene very quickly from raw material—it’s very liberating.
MICK AUDSLEY, EDITOR