The budget for a film from the audio post side is literally a fifth of what it might have been 15 years ago. So, we need to find efficiencies in workflow to be able to deliver quality. That’s the challenge.
TOM PAUL, RE-RECORDING MIXER, SOUND DESIGNER, PARTNER
Pro Tools | HD and Pro Tools | S6 consoles give the most noted production companies and filmmakers in Russia the most advanced audio mixing capabilities today, including native Dolby Atmos mixing.
Obviously the entire industry works with Pro Tools. Its compatibility between editorial, picture, admin, operations, and mixers is essential – all need to interface seamlessly.
MICHAEL KELLER, RE-RECORDING MIXER
The Avid solution gives me a more intuitive way of mixing, and adds flexibility to jump between different projects fast and easily.
STEFAN BOMAN, PARK STUDIO CEO AND TECHNICAL ADVISOR
Our students graduate with the knowledge to comfortably use the most up-to-date Avid hardware and software that they’d be able to find in studios.
JAIME DONNELLY, TECHNICIAN AND TRAINEE LECTURER FOR THE B.SC. (HONS) MUSIC TECHNOLOGY DEGREE COURSE
Editing the sound on Tarzan was a challenge, but was one that Pro Tools and the S6 made a lot easier.
NIV ADIRI, SOUND RE-RECORDING MIXER