As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D
TIMO VIRTANEN, SOUNDON
As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D
TIMO VIRTANEN, SOUNDON
In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.
DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC
From the beginning it was decided that it would be a collaborative effort and we were writing the music with the orchestra in mind. It was by far the hardest mix I've ever been a part of.
MICHAEL LEAGUE, COMPOSER, PRODUCER, MUSICIAN
All URF studios are now completely cross compatible from session to session, which increases efficiency, productivity and quality for us as a business, which were some of most important factors we considered.
THEUNS DU TOIT, HEAD OF URBAN RHYTHM FACTORY
For many years, you would have separate boxes. You’d have a clock, you’d have an A to D converter, you’d have mic pre and then you’d go into an A to D converter, go to the conversion, and then D to A. MTRX puts it all in one box. It captures all the latest technologies and it’s pretty terrific.
FRANK FILIPETTI, SEVEN-TIME GRAMMY® AWARD WINNING PRODUCER, ENGINEER, AND MIXER
The complexity of Dolby Atmos production is self-evident, but it also expands the creation space from 2D to 3D. The convergence of Dolby Atmos plugins and Pro Tools made the production very smooth.
YIN JIE, SOUND DESIGNER