Most of our post-production workflow is Media Composer, Adobe Premiere, After Effects, Photoshop, Cinema 4D, and some Illustrator. With Avid, you can pull all these things together.
JEFF DONEHOO, SUPERVISOR, ROCKIESVISION
Most of our post-production workflow is Media Composer, Adobe Premiere, After Effects, Photoshop, Cinema 4D, and some Illustrator. With Avid, you can pull all these things together.
JEFF DONEHOO, SUPERVISOR, ROCKIESVISION
For us, Pro Tools and its entire family of solutions have enabled us to unite all soundtrack workflows of any motion picture in one single environment. It’s tremendously powerful and a real revolution.
NICOLAS NAEGELEN, MANAGER, POLYSON
Avid is enabling real-time turnaround workflows supported on location using broadband connectivity.
PAUL CLENNELL, CHIEF TECHNOLOGY OFFICER, DOCK10
We keep all our high-res in Avid NEXIS, and it’s reliable. We’re similar to a news station in that we create daily content; we don’t have time to be down.
KEITH HAEBERLE, DIRECTOR OF MEDIA PRODUCTION, MIAMI HEAT
We always try to be the technology leaders in Israel. We were the first post house to purchase an early Avid storage solution for offline back in the day when all other post houses were using SCSI external drives. And we are the first post house to deploy NEXIS for shared high-bandwidth colour grading and film restoration.
DORI BASHAN, VICE PRESIDENT, TECHNOLOGY DEVELOPMENT
The Avid NEXIS | E5, integrated into our workflow, has positioned us not only to support new workflows but also to embrace future technologies. We’ve also been able to retire some older systems and use a single platform. In the end, it offered the best value for the money.
STUART DYER, OPERATIONS MANAGER, FILMS AT 59