Kundenberichte

Avid VENUE | S6L-48D system in the Soundon OB truck

Soundon Adds Europe’s First S6L-48D to Handle Its Ever-expanding Productions

As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D

TIMO VIRTANEN, SOUNDON

Read the story

Image of Dolby Atmos and Pro Tools workstation in front of large theatre screen

The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio

In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.

DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC

Read the story

Bokante making music through collaboration with Pro Tools

Collaborating Across Continents to Create Bokanté’s What Heat Album

From the beginning it was decided that it would be a collaborative effort and we were writing the music with the orchestra in mind. It was by far the hardest mix I've ever been a part of.

MICHAEL LEAGUE, COMPOSER, PRODUCER, MUSICIAN

Read the story

CS-UrbanRythemFactory_1862x1040

South Africa’s Urban Rhythm Factory Is the Continent’s First to Implement Pro Tools | MTRX

All URF studios are now completely cross compatible from session to session, which increases efficiency, productivity and quality for us as a business, which were some of most important factors we considered.

THEUNS DU TOIT, HEAD OF URBAN RHYTHM FACTORY

Read the story

Omar Hakim recording with Pro Tools music making software

Omar Hakim & Frank Filipetti: The High Standard of Audio Recording

For many years, you would have separate boxes. You’d have a clock, you’d have an A to D converter, you’d have mic pre and then you’d go into an A to D converter, go to the conversion, and then D to A. MTRX puts it all in one box. It captures all the latest technologies and it’s pretty terrific.

FRANK FILIPETTI, SEVEN-TIME GRAMMY® AWARD WINNING PRODUCER, ENGINEER, AND MIXER

Read the story

CSMonkeyKing21862

Monkey King 2 Uses Avid Editing Software for International Post Production and VFX Collaboration

The complexity of Dolby Atmos production is self-evident, but it also expands the creation space from 2D to 3D. The convergence of Dolby Atmos plugins and Pro Tools made the production very smooth.

YIN JIE, SOUND DESIGNER

Read the story

HK